Bourrée in E minor is a popular lute piece, the fifth movement from Suite in E minor for Lute, BWV 996 (BC L166) written by Johann Sebastian Bach. This piece is arguably one of the most famous pieces among guitarists.[1]
A bourrée was a type of dance that originated in France with quick duple meter and an upbeat.[2] Though the bourrée was popular as a social dance and shown in theatrical ballets during the reign of Louis XIV of France, the Bourrée in E minor was not intended for dancing.[2] Nonetheless, some of the elements of the dance are incorporated in the piece.[2] Bach wrote his lute pieces in a traditional score rather than in lute tablature, and some believe that Bach played his lute pieces on the keyboard.[2] No original script of the Suite in E minor for Lute by Bach is known to exist.[3] However, in the collection of one of Bach's pupils, Johann Ludwig Krebs, there is one piece ("Praeludio - con la Suite da Gio: Bast. Bach") that has written "aufs Lauten Werck" ("for the lute-harpsichord") in unidentified handwriting.[3] Some argue that despite this reference, the piece was meant to be played on the lute as demonstrated by the texture.[3] Others argue that since the piece was written in E minor, it would be incompatible with the baroque lute which was tuned to D minor.[4] Nevertheless, it may be played with other string instruments, such as the guitar, mandola or mandocello, and keyboard instruments, and it is especially well-known among guitarists.[5] The tempo of the piece should be fairly quick and smooth, since it was written to be a dance. It also demonstrates counterpoint, as the two voices move independently of one another.[1] Furthermore, the Bourrée in E minor demonstrates binary form.[6]
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Robert Schumann quotes the first 14 notes of this memorable theme (transposed to G minor) in #3 of the Op. 60, 6 Fugues on B–A–C–H, where he neatly combines it with the B♭ A C B motif. There also appears to be an echo of this reference in the next fugue, #4.
The piece has been used by a number of musicians: